In this powerful three-part series, El Jinete, an apocalyptic skeleton, emerges as a symbolic rider of societal shadows: misunderstanding, loneliness, marginality, and death.
Rendered through abstract expression and visceral fragmentation, the horseman slowly disarms, dismembers, and dissolves. Each canvas becomes a rebellion, a visual cry that it is possible to confront and dismantle what he represents.
I feel like a lonely hunter.
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